One of the most interesting and difficult-to-categorize singers in '60s pop, Gene Pitney had a long run of hits distinguished by his pained, one-of-a-kind melodramatic wail. Pitney is sometimes characterized (or dismissed) as a shallow teen idol-type prone to operatic ballads. It's true that some of his biggest hits -- "Town Without Pity," "Only Love Can Break a Heart," "I'm Gonna Be Strong," "It Hurts to Be in Love," and "Twenty Four Hours From Tulsa" -- are archetypes of adolescent or just-post-adolescent agony, characterized by longing and not a little self-pity.
But Pitney was not just an archetype of his style -- he was one of the best at his style, and indeed one of the few (along with Roy Orbison) that could pull it off convincingly.
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